I have played the violin since 4th grade. My father taught orchestra in the schools and I got no preferential treatment. I didn’t even really care for playing an instrument, to be honest. I just copied whatever Jenny did. She was the girl who sat next to me in class. And playing in orchestra was not an option, it was just what we did. The end. No discussion. I didn’t even know that people got to choose whether they played instruments or not.
So throughout my years in school, I played in orchestra with Dad as conductor. In middle school, I branched out to the bass, because there wasn’t one in the orchestra and I wanted to try something really new and exciting. It was so easy, and I got a lot of attention whenever I’d carry the bass around. I didn’t really like standing out like that, but it sort of goes with the territory when you play the biggest instrument in town.
In eighth grade, I discovered competition. I went back to the violin because I wanted a smaller instrument again. It wasn’t important to me to sit in first chair, though for some weird reason I was always there. It wasn’t a priority for me to practice and I rarely did, when I couldn’t find a good book to read. But there was a Korean boy who had skipped a grade or two, and he could play beautifully. I know he spent a good chunk of his days practicing the violin, and it seemed to him almost disgusting to have to play in a group with other kids. He had amazing intonation but absolutely no expression, like he was a machine spitting out the data he read on the sheetmusic page. There was no way I was letting this punk be concertmaster. Somewhere inside me I felt a motherly, protective irritation towards him. The rest of the kids in the class needed someone older and wiser to be their example, not someone who didn’t even care to be their friend. I’m no great leader, but the quiet example of someone with respect to the rules is something that inspires me. So I practiced and practiced and practiced the piece we were going to play to compete for concertmaster and got that song down so perfectly that I almost felt sorry for my competitor when he lost. I could clearly see his disappointment, because he genuinely felt like he was far above everyone else in skill. As for me, there was no feeling of victory or smugness, I just felt lame. I felt like I had pushed a member of the group away in order for me to rise to the top. Competition stinks.
In high school, I was happy to go to the bottom of the totem pole. A few older musicians were very talented and inspired me to practice more than I had ever done before. Not that it was very often, but it was still better. By the time I reached my senior year, I was the only senior in orchestra. No competition!
There was a once-in-a-lifetime opportunity that I can’t believe I saw happen to me that year. The Seattle Symphony did a program where they traveled to different areas and performed with one musician selected from high schools in that area. I was chosen from our school! I was given some impossible music to play along with them, a practice or two in their rehearsal room in
Throughout my time at home, I played in quartets or groups put together by my dad. Sometimes we made money, sometimes we just played, sometimes we played too long and annoyed people. It was all good, character-building, experience-enhancing fun.
In college, I (miraculously) passed an audition to get into the symphony. We played some challenging pieces and some hauntingly beautiful ones. I realized that my practice habits put me farther back in the second violin section than I had ever been before. But hey, when you’re not in front, you can scope out the babes or goof around with your stand partner without notice! Awesome! We played a special concert for the prophet in the Tabernacle. My stand partner ran into President Hinckley, but I missed him. Too much primping in the mirror – vanity ruined my day.
For a while here in La Grande, I had a music group called New Vintage, and it was a beautiful gal named Lisa and me who both sang, she played the piano, and I played violin. We would meet at her house once a week and go through music and mostly chat. She was one of the closest friends I’ve ever had. We played for a wedding and a local business show, but we didn’t get many gigs. We blended well together. She was far more talented than she realized. I think we both benefited from the girl time we spent, using New Vintage as an excuse for it. When she moved away, I stopped playing the violin for a while. I play in church a couple times a year, but that’s about it.
Since getting older, I’m starting to get braver, caring less and less about others’ opinions. I’m not going to let it get out of control, as I’ve seen with other people caring not at all about others’ opinions, but let’s just say it’s a necessary part of my self esteem. Last year I was brave enough to try out my first fiddle competition, which was so much fun because of my cheering section! I love my family! And last night I tried playing in the pit for “Sound of Music.” That was nerve-wracking. I did fine, but I think I’ll have last night be the last of it.
So, I’m a violinist with little ambition. It’s fun to play in church or in small groups, familiar music without having to branch out too much. I don’t like to compete. I don’t like to practice a lot. I don’t like learning new fingerings or tricks. Traditionally, I’m not the typical violinist. I didn’t even start out with a passion for it. Even so, the experiences I’ve had as a result of learning the basics and using them for 23 years have been amazing. I’m no Itzhak Perlman, but I love my beautiful violin (with the Pirastro Obligato strings and rosin – thank you, Sam!) and we’re a great team when we do nice, quiet, unassuming stuff together.






